Story
Belgian-born and Hong Kong-based, Katerin Theys is a fashion designer and interior architect who approaches fashion as architecture for the body. Focusing on structure, proportion, light, and movement, she creates pieces that wrap, fold, and adapt to the wearer.
Drawn to materials with their own character and history, Theys explores the construction, texture, and often the reverse side of fabrics, working with exceptional and rare materials, as well as with artists to develop original prints.
Founded in 2019, the label combines Theys' European roots with more than a decade of living in Hong Kong. The influence of Eastern culture is woven into her Western background. She works in chapters, adding new stories twice a year to her evolving, living collection, and her work reflects a belief in slower, more considered design, adaptability, and longevity, creating clothes that retain their relevance.
Philosophy
The process begins with curiosity — with a material in hand, understanding its weight, construction, movement, and what it wants to become.
Form comes before decoration. Structure, proportion and material shape each silhouette, while experimentation and play leave room for unexpected possibilities to emerge. The result is architecture for the body: considered, instinctive, and never entirely fixed.
Rather than following traditional seasons, Katerin creates in stories — adding new chapters to a living collection. Earlier pieces remain part of the collection, while each new story creates new connections with what came before.
On form, materials and making
Read the conversation with Catherine Shaw →
Craftsmanship
Each piece is made in limited quantities, often shaped by the availability and character of the material itself.
Working with artists, makers and specialised craftspeople across Europe and Asia, the process brings together precision, experimentation and technical knowledge. Construction is not hidden from the design — it becomes part of its expression.
Making less, and making it well, is fundamental: every piece should have a reason to exist and be worth keeping.
Wearability
Designed to adapt rather than prescribe, the silhouettes can wrap, fold, shift and change with the person wearing them.
Structure and proportion create the starting point, while the wearer completes the piece — choosing how closely or loosely it sits, how it is tied, and how its form is expressed.
This adaptability allows a single piece to move between bodies, occasions and ways of wearing, extending its relevance over time.
